April 2010
54 posts
—Hermione Lee, Virginia Woolf’s biographer, writing of Katherine Mansfield’s posthumous effect on Woolf.
After Katherine died, Virginia would dream of her and the dreams would be so vivid that they stayed with her after she woke from them.
skirts and coats in wardrobes - these alone kept the human shape and in the
emptiness indicated how once they were filled and animated; how once hands
were busy with hooks and buttons; how once the looking glass had held a
face.” —Virginia Woolf, To the Lighthouse (via wordpainting) (via awritersruminations)
Time, Monday, April 12, 1937
“Last year Margaret Mitchell of Atlanta, Ga. wrote her first novel. Gone With The Wind. Last week Virginia Woolf of London, England published her seventh. The Years* Margaret Mitchell’s book has sold more copies (1,300,000) than all Virginia Woolf’s put together. But literary brokers who take a long view of the market are stocking up with Woolfs, unloading Mitchells (TIME, April 5). Their opinion is that Margaret Mitchell was a grand wildcat stock but Virginia Woolf a sound investment.
Virginia Woolf has been called ´the best-equipped and the most disappointing woman novelist in the history of English literature.´ That she can be considered a disappointment indicates that she may be not just a highbrow writer but perhaps a great one. She is certainly the foremost woman author of her day. Her books are addressed not to a literary clique but to the Intelligent Common Reader. And the address is written in such a fine and flowing hand that even when it is illegible the hopeful addressee can find some profitable pleasure in puzzling over it. Even her obscurer books have something about them that attracts popular attention, for more than most stylists, she writes about the common gist of things.(…)”
“What Time means, what Space is, what the Sea mirrors is more than Virginia Woolf can say: but that they are, that they mean and mirror some Reality measureless to man is the whole import of her writing.”
“Though Virginia Woolf’s experience was as restricted as Jane Austen’s, her reading knew no bounds.”
“She never lost her faith for she was never taught any.”
“She rarely makes a public appearance. She has no children. Careless of her clothes, her face, her greying hair, at 55 she is the picture of a sensitive, cloistered literary woman. Jealous juniors derisively style her “The Queen of Bloomsbury.” Her physical existence is as sheltered now as it always has been. But in the 12-ft. square workroom, whose old-fashioned uncurtained windows overlook a half-acre of English garden, she has made a world of her own. It is not a cork-lined invalid’s retreat like Marcel Proust’s, with the shades drawn; nor a chamber of nightmares like James Joyce’s, where after dark all the familiar objects break up into strange & sinister shapes. Visitors who feel at home in Virginia Woolfs world say it is a room with a view.”